Cast Adrift

IN this romance of real life, in which the truth is stranger than the fiction, I have lifted only in part the veil that hides the victims of intemperance and other terrible vices—after they have fallen to the lower deeps of degradation to be found in our large cities, where the vile and degraded herd together more like wild beasts than men and women—and told the story of sorrow, suffering, crime and debasement as they really exist in Christian America with all the earnestness and power that in me lies.

Strange and sad and terrible as are some of the scenes from which I hare drawn this veil, I have not told the half of what exists. My book, apart from the thread of fiction that runs through its pages, is but a series of photographs from real life, and is less a work of the imagination than a record of facts.

If it stirs the hearts of American readers profoundly, and so awakens the people to a sense of their duty; if it helps to inaugurate more earnest and radical modes of reform for a state of society of which a distinguished author has said, “There is not a country throughout the earth on which it would not bring a curse; there is no religion upon the earth that it would not deny; there is no people upon the earth it would not put to shame;”—then will not my work be in vain.