Classicly

We have hitherto spoken of that perfect mastery of our language in writing which has been the possession of those famous in the history of English letters, and it may be inquired if such a high standard should in all cases be necessarily aimed at, seeing that for many purposes of everyday life a lesser degree of cultivation might be found as practically useful. To this it is sufficient to reply that much positive good must result from an endeavour to follow the best examples in the practice of any art, and further, that such an endeavour will be found the surest way by which to avoid all faulty and careless work, which can under no possible conditions be praiseworthy or even tolerable.

No young writer can afford to write carelessly, till such time, at all events, as he has become fully versed in his art, when he will probably find that to write with the effect of carelessness is beyond his power. At the same time, young writers should be careful not to adopt for imitation a style of too great elevation, for by so doing they may find that they have contracted that worst of all literary diseases—bombast.