Classicly

Goya’s art would appear to be the reflection of his life. His youth was disordered and tempestuous; in the height of his success he accepted favours, but he was too conscientious an artist to repay the adulation of the world by flattering it in his canvases; and he published his disillusions in the biting satire of his Caprices and Proverbs.

In making the collection of Goya’s works that is presented at the end of this volume, I have taken the line of least resistance and included reproductions of every picture, etching, or lithograph that I could acquire. However inadequate photography and ‘process’ may be to convey an impression of the original works, I have endeavoured to give English students an opportunity of becoming acquainted with the subjects and general nature of much of the output of Goya’s sixty years of artistic effort.